Introducing Ray Kingsmore's Drum Clinics
Get students out of their regular comfort zone by playing drums and singing.
Introducing Ray Kingsmore's Drum Clinics
Get students out of their regular comfort zone by playing drums and singing.
Get students out of their regular comfort zone by playing drums and singing.
Get students out of their regular comfort zone by playing drums and singing.
Drums and Percussion Instruments available for individual use: (Will vary accordingly for younger students) Snare Drums, African Djembes, Ride/Bell/Crash Cymbals, Soft Rattan Sticks, Padded Tympani Mallets, Jazz Brushes, Full Sized Tambourine, Ankle Shakers, Cowbells, Toe Tambourines, Banana Maracas, Wooden Spoons, Castanets
Drummers in grades K-8 are exposed to various Musical Rudiments, including Tempo, Dynamics, Rhythm (short and Long), Beat and Keeping Time. Older Drummers are expected to react to and predict changes in rhythm and dynamics, using a variety of percussion tools.
Little hands searching for the pulse (beat) in the music. Then we add a shaker and maybe a tambourine. Of course they want to play really really quiet so as to NOT wake the baby up! Only then can they proceed to the "BIG PEOPLE DRUMS" and play a beat on the snare and cymbal. Maybe even a cowbell.
They eventually enjoy playing "free style," where they decide what instruments to play, how to play them and how many to use. Once their comfort level seems satisfactory, they try similar actions on the snare, cymbals and djembe while adding in the smaller hand shakers as they see fit. Expectations for Kindergarten - Grade 2 drummers focus on listening for Dynamics (loud and soft) Beat (pulse) and Keeping Time within various Rhythms.
Anyone can tap out a rhythm to a tune. But here Drum Whisperer Ray challenges the drummers to listen for when upcoming changes are imminent. The drummer should subtly "announce" the upcoming change(s) with an appropriate drum or cymbal roll, or perhaps a change in instruments. Pausing is also an effective use of dynamics.
Kindergarten and grade 1and 2 students start out using the snare, djembe hand drums, shakers and tambourines. They are shown how to hold their instruments with their fingers only, thus encouraging softer volume. "Don't wake the baby." Kindergarten-grade 2 students use soft padded drumsticks, which control the dynamics.
In accordance with "social distancing" requirements, each drummer has their own individual Drum Set consisting of: a 14 " snare drum, professional quality 18" ride/crash cymbal, jazz brushes, 16" tall light-weight African djembe drum, wooden drumsticks, padded mallet drumsticks, flexible sound reducing flix sticks, toe-tambourine, cowbell, wooden spoons, full sized tambourine, Chajchas (Bolivian goat-hoof shakers). Primary Drummers use 3 to 4 percussion instruments while usage increases with older aged Drummers. Depending on the drum clinic length and venue, not all the described percussion instruments will be used.
Keeping things under control while experimenting with dynamics and tempo/rhythm variation.
They begin to do" free style" with these percussion instruments, making individual decisions as to what to play, and with which hand(s). They also decide when to switch up with the other instruments.
This is typical "Free Styling" where drummers are selecting various soft and hard percussion instruments, as well as knowing when to pause to accentuate the emotional impact of certain lyrics.
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A good way to connect with the beat or pulse of music is to walk with it, while keeping time with their hands-on-instruments. Singing along helps too.
The venue is awash in ambient coloured lights; non-strobe.
A professional Bose L1 Pro Audio System provides a rich musical experience.
Wireless Microphones accommodate up to 9 students at a time at the Microphone Station.
Four microphones can be ‘walked around’ to individual younger students who want to sing a few words or phrases.
The First Clinic: Lesson Plan
Introduction to Snare Drums, Ride/Bell/Crash Cymbals, Hand Held Percussion Instruments, Microphones
Grades K-8 Rudiments: Expectations are simplified for younger grades.
1. Beat, Rhythm, Tempo, Dynamics, Keeping Time, Listening
2. How to hold Percussion Instruments by hand.
3. How to play a drum with a soft stick or finger tips in order to control Dynamics..
4. How to play the Ride/Bell/Crash cymbals for desired effects.
Grades 3-8: Students can refer to lyrics sheets in groups of up to 9 singers at the Microphone Station while everybody else plays their drums.
Grades K-2: As everybody plays their drum sets, the teachers walk around the room, holding microphones (4) close to the mouths of individuals willing to sing a few words of well known age appropriate songs, while still playing their drum sets.
Expected Outcomes:
Students will create Dynamic Rhythms in time with various percussion instruments while interacting with 3 to 5 recognizable and vetted age-appropriate musical selections.
The Second Clinic: Lesson Plan
Introduction to African Djembes
Grade K-8: How to apply hands and soft sticks to the Djembe for desired effects.
Grades 3-8: How to position the African Djembes between the legs, on their laps or on the floor.
Students will play the African Djembes, Snare Drums, Cymbals and other Instruments simultaneously.
They will learn to play simple African and Tabla Rhythms while keeping time with suitable music.
Drummers will experiment with basic learned Rudiments while creating new patterns in time with the music. Up to 9 students at a time can sing at the Microphone Station while others play their drum sets for 3 to 5 songs.
Grades K-2: The African Djembes will remain on the floor with students kneeling or sitting behind them. With their classroom teachers’ help, they will participate in fun drum and sing-a-long activities utilizing the African Djembes and a few additional Percussion Instruments. Willing individuals can sing again as teachers/helpers approach with microphones.
Expected Outcomes:
Students will be challenged to use different combinations of drums, percussion instruments and Rhythms while keeping time with 3 to 5 different well known and vetted age-appropriate musical selections. Singing is always an option for all drummers.
Controlling Drum Volume:
The dynamic volume range of the percussion instruments during Drum Clinics is:
VERY SOFT: PIANISSIMO
SOFT: PIANO
MEDIUM LOUD: MEZZOFORTE
DRUMMERS do not PLAY LOUD DURING CLINICS.
Students never strike a drum forcefully with a hard wooden drum stick or with with an open hand. Soft padded mallets, Jazz Brushes and flexible Rattan sticks are used exclusively. Only finger tips make contact with drum skins.
Grade 3-8 participants are shown how to apply hand/finger control techniques while using all Percussion Instruments.
Grade K-2 participants all make a solemn hushed promise: “Don’t wake up the baby,” whom they will see sleeping at the front of the room. If this Baby Doll awakens because drumming is too loud, the drumming might have to STOP. Very sad indeed. Little drummers are suprisingly very concerned for the welfare of “Baby Frederica” and therefore committed to not awakening her.
OPTION A:
The school Gym.
The Gym is the best and most excellent choice due to its expanse of usable area to include all Percussion Instruments, Djembes and Microphone Stations. This area also allows for ease of movement and results in reduced acoustic effects on other classrooms.
Plan to provide ½ School gym, 34 chairs, 3 tables (folding 4 or 5 ft rectangle), power sources, trash can.
NOTE: The gym PERMITS must be cancelled all days and evenings that the drums are set up, including over a weekend if applicable. Regular in-school usage of the empty half of the gym tends to be restricted for the week. The other half of the gym and the stage can not be used for ANY purposes while Drum Clinics are in progress.
OPTION B:
An EMPTY first floor classroom. Some Percussion instruments and the Microphone Station will not be set up due to lack of space. Ease of student movement will be limited, especially for the Intermediate Grades. Adjoining classrooms will be well aware of the Bass Musical sounds resonating from this nearby room very day, all week. The following requirements must be met:
NO TABLES
NO TEACHER OR STUDENT DESKS
NO FILE CABINETS
NO UN-ANCHORED SHELVES
NO STORED EQUIPMENT, BOXES, COMPUTERS, A/V EQUIPMENT, CHOIR RISERS, STANDS ETC.
JUST AN EMPTY ROOM WITH 32 JUNIOR SIZED STUDENT CHAIRS; NOT PRIMARY CHAIRS.
• Autism spectrum disorder
• Attention deficit/hyperactivity disorder
• learning disabilities such as dyslexia, dyscalculia, dysgraphia and dyspraxia
• Tourette syndrome and other tic disorders
• Sensory processing issues
Students who display Neurodivergent behaviours should be entitled to participate in and enjoy school activities, especially the Arts.
Some children might be over-responsive (hypersensitive) or under-responsive (hyposensitive) to sensory stimulation, such as bright overhead lights or louder than usually experienced music and drumming.
Guidelines for success with Sensory Stimulation
For children in the drum clinic, this could mean allowing noise-canceling headphones if beneficial.
Also, upon the teacher’s request all special lighting effects will be eliminated.
Guidelines for success with Dynamics during a Drum Clinic
Dynamic Control of Volume is a major component introduced at the beginning of each clinic. Students are introduced to techniques (Varying by grade level) to achieve a comfortable, enjoyable drumming volume (soft, medium, medium-loud, NEVER LOUD.) This allows everyone to hear, accompany and sing along with the music in the room. Most Neurotypical students tend to understand and adapt these concepts.
It is not a problem if a Neurodivergent child talks, touches or taps the drum during the clinician’s verbal comments, or in between songs. The classroom teacher or Designated Educational Assistant will determine how best to help the child adjust to and enjoy the drum clinic.
Also, a student may play the drums very loudly at the beginning of the clinic. This is not an immediate problem. Experience has shown that with the classroom teacher or Educational Assistant’s gentle reminders, this student usually adjusts, relaxes and controls things adequately after a short time.
Guidelines for Success for a child who will only play drums very loudly.
I always set up all the drums the day before the clinics begin. I suggest that the teachers bring any student(s) to the gym on that set up day, or at recess any day, to play a few beats and hear the music. The teacher or E.A and I can introduce the volume concept to the student(s).
I am willing to spend my lunch times drumming with such children in the gym if a classroom teacher or E.A. joins us, for liability reasons. (Not a lunch supervisor, etc).
Experience has shown that, given such an opportunity, the Neurodivergent child will have so much fun celebrating music and drumming, even if loudly.
Every child should have the opportunity to celebrate music in their own unique ways.
The Principal may decide to schedule small group or individual drum clinics for certain students.
Guidelines for success with safety Issues for a child who needs to move around the gym during the clinic.
A student moving around the room during a clinic can possibly be a safety issue. The classroom teacher or qualified Educational Assistant can mitigate this by moving with them, making sure nothing is knocked over, thus avoiding injury to the student or others.
Every student can have fun and learn through music.
Ray Kingsmore
Schedule two 40-50 minute Drum Clinics for every homeroom class in your school.
Equipment set up starts on a Monday at 7:00 AM. Clinics will begin on that day at 10:30 AM, followed by as many days necessary.
1. Refer to your Official School Quote and Schedule Samples which you have received.
2. Create and send to Ray your proposed School Drum Clinic Schedule, including Dates, Times, Homeroom Names/Grades and numbers of students per class.
3. Schedule 4-6 clinics per day, leaving an hour lunch at least (in total) for Ray.
4. Wait for at least 5 minutes after the whole school morning entry, announcements, all Lunch and subsequent Recess/NB re-entries before scheduling the next Drum Clinic.
5. Try to avoid having a K-2 class immediately following or preceded by an older class, unless there is a recess break between them to allow for equipment changes.
6. If a class has more than 30 students, assign those few extra students to join another class’ clinic. Otherwise, do not combine homeroom classes, no matter how small. Schedule pre-existing home room classes only.
7. Ray will send you your school Invoice, confirming the engagement.
VULNERABLE SECTOR POLICE CHECK AND INSURANCE
The Peel Region and RCMP police checks are renewed every 12 months. Ray Kingsmore also renews a $5,000,000 personal liability policy annually. Copies of these documents will be shared when a booking is being considered.
Here drummers are reversing their drumsticks, making use of the soft and hard ends. They are also choosing to use the Jjzz brushes, shakers, cowbells and toe tambourines at their discretion. Cymbal crashes are never too loud, since Ray teaches them to "choke" off the crashes or crescendo effects.
All Drummers are encouraged to sing as they explore the rudiments of music. Younger Drummers can easily follow the Beat (Pulse) and are able to respond satisfactorily to changes in Dynamics (loud versus soft).
These students, with "Ray The Drum Whisperer's" guidance delve into several Musical Rudiments of a classic Rock Opera. They learn to use the bell of the ride cymbal for heightened effect. Cymbal edges are employed to achieve crescendo warnings of rhythm/dynamic changes. Toe-tambourines are used to keep time. The jazz brushes are employed on the snare drum and cymbal for very quiet passages. Shakers result in emotional impact and a soft Mallet on the Cymbal gives a pleasing Gong effect.
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